Friday, January 1, 2021

Best Comics of 2020

Caveat: most DC’s magazine-sized black label books, some of which are obvious contenders here, are not included. Sorry for that but I’m still behind on them. I read a lot of comics. 

1. Gideon Falls - Jeff Lemire & Andrea Sorrentino continue to create one of the finest comics ever written. This is a genre transcending peek into the future of comics. Lemire has established himself as one of the great comic writers of all time and Sorrentino is putting on a clinic on what can be done with a page. This book is two of the greatest comic book creators working today teaming up to provide you with the shape of things to come in comics. I read the finale last week and can say it definitely sticks the landing. Looking forward to going back over the whole of it soon. 

2. Slaughterhouse Five - I was skeptical of an adaptation of my favorite fiction novel for the normal reasons but I trusted Ryan North and his collaborator Albert Monteys due to North’s excellent work on Squirrel Girl, one of the most surprising success stories in mainstream comics of the new millennium. I was not disappointed. Part adaptation, part exploration of Vonnegut’s process and inspiration, it was as much a tribute as a recreation and it was brilliant. Fans of comics can appreciate the stylistic choices made in adapting a classic and fans of Vonnegut will love the degree to which these guys get it. 

3. Pulp - Brubaker and Phillips never stop turning out brilliant works of art and Pulp is no exception to their impressive resume (for my money, the best collaboration across multiple books in modern comics history). Pulp both is and is not what you think it is based on the cover. Read it and, if you haven’t already, get every book these two have worked on. They’re always on their game. I also really enjoyed their most recent novel, Reckless, and am looking forward to the upcoming volumes in 2021.

4. Thor - Jason Aaron’s character redefining work on Thor was always going to be a tough act to follow, but no one ever made money off of underestimating Donny Cates. His first arc with Nic Klein sold out immediately and for good reason: it was badass. Playing into elements of both the Aaron run and Cates other work on various Marvel titles, a newly King Thor has to face an unheard of universal threat. I suspect we haven’t heard the last of the Black Winter. Coming up next is Don Blake, Thor’s former alter ego, in a mind bender of a villain introduction no one saw coming. I love this book. 

5. Hellblazer - One of the worst cancellations in modern mainstream comics history. No one will ever make sense of this to me. So Spurrier, Eddie Campbell, Matias Bergara, and others contributed to what is probably my favorite Constantine tale of all time. Constantine vs. Constantine for the soul of a wizard. It’s actually better than it sounds and it sounds awesome. Two of my five favorite individual books of the year were in this title. I’ll be going back to this one over the holidays for sure. 

6. Marauders - Gerry Duggan has in recent years really jumped toward the top of my list of writers and for good reason: he does a lot of things well and writes the best dialogue in the business today. No one could better portray the characters at the heart of the palace intrigue that is this book better than he does. Stefano Casseli and Matteo Lolli turn in deeply expressive and energetic art for every issue of this book. Being the best X-men book on the shelves in 2020 is a real accomplishment. 

7. Something is Killing the Children - James Tynion IV and Werther Dell’Edera weave a supernatural horror story with creativity, heart, and intrigue the likes of which comics have rarely seen. This book builds off of our fascination with Stranger Things type products without aping their mojo by featuring strange monsters and an even stranger protagonist with a truly creepy conspiracy theory behind the scenes. If you want to know why everyone is talking about Tynion IV today, this book is as responsible as Batman is for sure. 

8. Wonder Woman - Mariko Tamaki deserves more respect than she receives. Bottom line. I’ve overwhelmingly enjoyed her books across the board. Wonder Woman with Mikal Janin was no exception. The book is a team up with Max Lord that goes awry for obvious reasons. Tamaki has this uncanny ability to write minimalist but poignant dialogue at once and it’s very impressive. The result is a book with a kinetic pace but great character pieces all at once. Complemented by Janin’s clean lines and pinpoint precision art, this is a gorgeous book that tells my favorite Wonder Woman story since her animated standalone film. 

9. X-Men - Hickman, Yu, and Asrar continued the reset of the X-men through a series of squabbles with various aliens and into the X of Swords event in Otherworld at the behest of Saturnyne. The event was pretty long (my only complaint) but the volumes in the X-men title were favorites, especially the last X-men X of Swords crossover that has Scott and Jean defy the Krakoan council to stand up for their son, the recently de-aged Cable and all of the X-men in Otherworld. Perhaps my favorite writing ever for Scott and my favorite issue of the X-men since Morrison. 

10. Doctor Doom - It's no secret that I love the work of Chris Cantwell. I've been a big proponent of Halt & Catch Fire (which Cantwell was the showrunner for) and his more recent work on Iron Man (too new for consideration for 2020, but a runner going into 2021). Doctor Doom has a nominal narrative involving Kang and some political intrigue in Latveria, but the idea is mostly a character study in what turns an ethos into villainy and it's exceptionally well done. If you're looking for kinetic action, this is not your book. If you're looking for spot on characterization and top-tier dialogue, this is the one. Sal Larocca has become one of my favorite comic artists since his work with Gillen on Vader and his work here continues the evolution of Larocca's style. 

11. Hulk - Al Ewing and Joe Bennett are telling the most interesting Hulk story in decades, a psychological thriller with supernatural elements that turn everything you know about the Hulk and his cast on its head. Accompanied by the genius covers of Alex Ross, this book never ceases to impress. It’s a very different Hulk book but still involves a lot of smashing so I think it has something for everyone. 


Tuesday, July 24, 2018

Top 10 Biggest Comic Book news out of #SDCC San Diego Comic-Con 2018

Biggest Comic Book news out of #SDCC San Diego Comic-Con 2018

  1. Gail Simone at Lions Forge: Simone will become the architect of this diverse line of superheroes. Not much detail on the direction the brand will take going forward, but Simone is a veteran creator with a proven following and some hotness at the moment with Domino and Plastic Man. 

  1. X-Men: I won’t list Black and Uncanny as separate announcements since Uncanny’s return didn’t even feature a creative team (although Jordan White insists on Twitter that they have four issues in the can but are retaining a tight lip about the team, perhaps until Extermination concludes, I suppose hinting that it’s a Brisson title), but it’s exciting to her the title is coming back. Black will be a series of one-shots focused on villains. Magneto by Chris Claremont, Mojo by Scott Aukerman, Mystique by Seanan McGuire, Juggernaut by Robbie Thompson, and Emma Fros by fan-favorites Leah Williams and Chris Bachalo. Why is Mojo getting so much attention from X-teams? No one is sure. It’s a terrible character. 

  1. Hellboy: the 25th anniversary of Hellboy will feature a new Hellboy and the BPRD mini, a series of one-shots, and some new collections. Mignola’s retirement from Hellboy continues to be productive. 

  1. Shazam & Aquaman: it’s hard to get too excited about Aquaman but Kelly Sue DeConnick (Bitch Planet, Captain Marvel) has a track record of solid writing and a Allan following as a result. She could do for Aquaman’s movie tie-in what Greg Rucka did for Wonder Woman’s: make it mean something for establishing a higher base for comic sales going forward. Johns on Shazam with Dale Eaglesham could be a huge hit or a major bust. It’s a risky title but a great creative team. 

  1. Marvel and DC both go digital: DC Universe premiered at SDCC 2018, a multimedia hub including new tv shows, digital versions of DC comics, and more. Marvel launched a series of digital first comics including Jessica Jones with Kelly “Ask Me About My Feminist Agenda” Thompson, Bendis’s handpicked successor on his creation. Other titles will stay in the defenders universe including Luke Cage, Daughters of the Dragon, and Iron Fist. Hard to get too excited about these books given the limited creator investment and the mostly flagging content, but I’ll buy Jessica Jones when it’s in print. 

  1. Marvel Knights: For the 20th anniversary of the imprint, Marvel is relaunching the Knights under the management of phenom creator Donny Cates (Venom, Thanos, Doctor Strange, Redneck). He’ll produce what sounds like a single bookend volume to kick off individual stories written by Tini Howard, Matthew Rosenberg, and Vita Ayala. No certainty on what titles will be included but Punisher, Black Panther, Daredevil, and Karnak (of the Inhumans) are all on the promo art. If Cates is doing more than a single book on this imprint, it’ll be a bigger deal than #5. 

  1. So many Batman & Joker books: Snyder & Jock On Batman Who Laughs mini, Silvestri on Batman/Joker book, Johns on Three Jokers, and King & Taylor on Batman Secret Files. Everyone loves Batman. Everyone loves Joker. 

  1. Miracleman: The Silver Age: To be clear, there’s no details including a release date, but the team ensures us that the books have been cleared legally to proceed on Gaiman’s final chapter of the Miracleman saga. I’m excited. You’re excited. Miracleman is a legendary property written by two of the very best creators in the history of comics. Anything new on this work after 30 years would be a major, spectacular project. We know now that it CAN happen. 

  1. Berger Books: Karen Berger’s (long-time editor at Vertigo) new imprint at Dark Horse will kick off with Ann Nocenti & David Aja’s The Seeds, an exciting title featuring one of the greatest artists of the modern era and a fan favorite indie writer. But an equally big announcement is G. Willow Wilson (Ms. Marvel, Cairo) and Christian Ward (Thor, Eisner Award winning Black Bolt) on their new space epic The Invisible Kingdom. Wilson, an expert at human-centered storytelling focused on relationships but not skimping in action, described the book as Dune meets Cowboy Bebop, which has our attention. 


  1. Grant Morris on Green Lantern: when Grant Morrison writes for one of the big two companies, it’s always huge news. His last project, Multiversity, explores the hundreds of universes contained in the DC multiverse. This new book with Liam Sharp (Wonder Woman, Brave and the Bold) will focus on Hal Jordan as a space cop, a sort of cosmic police procedural. If not be surprised now that the Source Wall has come down and the multiverse appears to be “leaking” to see Hal and the GL Corps tasked with investigating what has come through in the deepest reaches of space. Morrison is always best when unleashed from the tethers of continuity to create unexpected and odd characters and situations. DC at the moment, especially cosmic DC, seems a great place to do this. I’m here for it. 

Sunday, July 22, 2018

SDCC Days 3 and 4 Round-up: Shazam, Aquaman, & Wonder Woman 1984 & more

Worlds of DC replaced the DC Extended Universe as a label for the shared universe of DC films. The idea seems to be replicating the DC multiverse, allowing the films to exist in the same universe without directly affecting one another, at least initially. This could explain the multiple Jokers, Miller & Gustin’s different Flash portrayals, & a new Batman (replacing Ben Affleck). 

Batman: Hush and Justice League vs. the Fatal Five animated series are coming in the Fall. Hush was Mark Waid and Jim Lee’s beloved early 2000’s Batman story about an obsessive childhood friend of Bruce’s. The Fatal Five is something I don’t know about but I presume you can google as well as I can. Sounds boring though. 

Aquaman was well-received but downplayed Momoa’s performance. To be fair, he’s a known commodity and the rest of the cast is as if not more talented than he, so featuring those actors and actresses makes sense from a marketing perspective. Much attention has been placed on the tonal change from dark BvS and JL to this, more consistent w WW. I didn’t love WW, but it was clearly massively improved over the terrible Snyder era. 

WW 1984 also had footage but it showed neither Kristen Wiig nor Pedro Pascal’s villains. Patty Jenkins did hint that more of her powers will be on display since she’s now “at full power” whatever that means. Hard to imagine her going nuclear on Cheetah who is more of a hand-to-hand combatant than the GOD she was fighting in the last film. But here we go. 

I just watched the Shazam trailer and I have to say that this looks awesome. Zach Levi was a blast in Chuck, a show that ended way too soon. He appears to have the same pathos here. The kids seem great. It reminds me a bit of Spider-Man and the Ant-Man franchise which, to me, is the most consistent Marvel product atm. I’m here for it. Check out the trailer. 

First looks for a live action Kim Possible & the second Godzilla film featuring Stranger Things star Millie Bobby Brown & completion of Robbie Williams pilot for a Judge Dredd tv show were all news at SDCC on Saturday. 

Luke Cage, Iron Fist, & Daughters of the Dragon (Misty Knight & Colleen Wing) are getting Marvel Digital Firsts series from no one you’ve ever heard of. The Vision is getting a sequel to the Tom King/Gabriel Walta story from “Ask me about my feminist agenda” Mockingbird scribe Chelsea Cain. Something is happening with Gwenpool, a character that exists for no apparent reason. 

Rumors of an Ironheart treatment script surfaced over the weekend. Obviously Robert Downey Jr. can’t continue in the role of Tony Stark forever. Someone will have to take over the suit at some point. No word from Marvel to confirm or deny and nothing approaching a release date or start date even exists. 

Slow news day on Saturday but we have an X-Men panel later today. I’d expect at least one more major announcement from the House of Ideas beyond the obvious X-Men announcement. 

Not much out of Image this weekend. Could be a couple of things from them today too. I wouldn’t be shocked if the comics folks want their news to come out late Sunday so it shows up as front page news on Monday rather than being drowned out by movie and TV news releasing Friday and Saturday. 

Update: 

Uncanny X-Men is back in the Fall, but no team is announced today. What. The. Fudgesicles. The Fall is only a couple of months away, Cebulski. You should probably make a gosh darned decision on the team. I’m annoyed in Cade you couldn’t tell. 

X-Men Black: a series of one shots running in October w J. Scott Campbell covers. 

Chris Claremont & Dalibor Talajic on Magneto, Juggernaut by Robbie Thompson and Shawn Crystal, Mojo by Scott Auckerman and Nick Bradshaw, and Mystique by Seanan McGuire and Marco Failla

Most intriguing, Leah Williams (X-Men Gold Annual) & Chris Bachalo on Emma Frost. Leah has been leaking Frost info for a couple of weeks on Twitter & is pumped for the project. Bachalo is a fan fav.

Update 2:

Tim Seeley is writing Shatterstar. Womp womp. 

Astonishing X-Men will bring back Banshee, who has been dead but apparently Beast put him in a freezer bc what could possibly go wrong w that? 

X-Men Red will be in Atlantis. It sounds dumb but Tom Taylor is writing it so I’m a believer. 

Wolverine will have a team. That’s all of the Wolverine news from the panel. But hooray McNiven, who we found out about Friday. 

More news as it breaks today...we’ll mark it as update. 


Friday, July 20, 2018

Eisner award winners SDCC 2018


We’ve got analysis, picks, and the actual winners here for you in the essential categories (i.e. the categories where I’ve read most of or all the titles). They're being updated as the news rolls in. 

Best Continuing Series: An easy category for me. I don’t think most of these books are that good. Wicked + Divine is closest to a top tier book, but clearly not as good as BH.

Our pick: Black Hammer
Winner: Monstress

Best Limited Series: X-Men: Grand Design is very good, but Mister Miracle is a top 10 book. It’s the clear choice.

Our pick: Mister Miracle
Winner: Black Panther: World of Wakanda (?)

Best New Series: This category has 3 very good series in it, including Black Bolt by newcomer of the year Saladin Ahmed & Grass Kings by the woefully underrated Matt Kindt & the even more woefully underrated Tyler Jenkins. But, Royal City is the best of these books by a limited margin.

Our Pick: Royal City
Winner: Black Bolt

Best Writer: Toughest category for me. Both King & Lemire are great & Kindt is very good. Mark Russell is the biggest stretch in any category this year imo. Marjorie Liu is good, but Monstress is overrated. Today though, Lemire is writing 5 top 20 books. That’s unprecedented.

Our Pick: Jeff Lemire
Winner: Tom King/Marjorie Liu (the first tie ever)

Best Writer/Artist: I only read three of these, but My Favorite Thing is Monsters was fantastic. Easy choice.

Our Pick: Emil Ferris
Winner: Ferris

Best Penciller/Inker: Into the Silent Sea was unbelievable. It was beyond anything I’ve seen in a Hellboy book before and I think Mignola is a master. Gianni was amazing. Must win. Mitch Gerads (Mister Miracle, Sheriff of Babylon) has been doing some great work though so I won’t be shocked or sore if he takes it home.

Our Pick: Gary Gianni
Winner: Gerads

Best Cover Artist: The best part of Monstress is those covers. They’re unbelievable. I don’t think these are the five top cover artists today, but I believe Takeda is the easy choice in this category.

Our Pick: Sana Takeda
Winner: Takeda

Best Coloring: Dave Stewart is always the best colorist. Elizabeth Breitweiser was robbed from being nominated in this category for her work on Kill or Be Killed btw.

Our Pick: Dave Stewart
Winner: Emil Ferris (a fair pick, she did that whole book – writing, pencils, inks, colors, and letters – on her own)

Biggest surprise: World of Wakanda over Mister Miracle. Both creators won their categories for best pencil/inks & best writer but their series failed to bring home the title? Hard to understand there. World of Wakanda was a weak title in a strong category imo. Pretty shocking.


Biggest hype: Monstress. Liu won in best writer. Takeda for best covers. Best series for teens. Best ongoing. That’s a lot for a middling fantasy title methinks. Isola is objectively a better book already. I get that folks really want “not superheroes” to win awards, but this seems like a serious stretch. I think Black Hammer will go down as one of the most important titles maybe ever so I’m especially surprised to see Lemire leave tonight with nothing. 

Side comment: I saw some goofball call Mister Miracle “THE DC book of the moment”. That’s a farce. Both Batman & Justice League are better books in terms of story, art, & execution. Mister Miracle is up there, but it’s not quite on that level. I know it’s not popular to give traditional superhero fare the nod, but those books are exceptional examples of how regular superhero books with no existential angst can deliver powerfully compelling stories nonetheless.

SDCC Day 2 Round Up: Miracleman, Joker, Drowned Earth, & Cates on Marvel Knights

The return of the Go-Bots! Glass covers at Valiant! And the real news...

Neil Gaiman and Mark Buckingham will return to Miracleman to complete their Silver Age arc for Marvel after legal issues tied up the book’s planned 2017 release. While the reprints were big news in 2014, new content for this legendary series featuring some of comics’ towering talents should get people excited. The original Miracleman written by Alan Moore and then Gaiman was scarce at the time, out of print for decades, and often revered as one of the finest comics ever made with graphic novel collections demanding prices upwards of $300. 

Scott Snyder and Jock will collaborate on a The Batman Who Laughs mini series extending the life of the fan favorite character introduced in Snyder’s Dark Knights: Metal series in 2017. The series will also introduce a heavily armed Batman who appears to not share the earth-616 version’s aversion to firearms. This is part 5 of DC’s effort to release a Batman and Joker series every day for one year (jk, but it does seem that way). Breaking news: just announced the second arc of Snyder’s Justice League will team him with Flash writer Francis Manapaul as the artist in Drowned Earth, an Aquaman-centric storyline that will lead into DeConnick’s Aquaman ongoing later this Fall. 

Donny Cates is extending his Marvel exclusive contract & has announced that his new project is a Marvel Knights relaunch w Mike Deodato (on its 20th anniversary) featuring Daredevil, Punisher, Blade, and Black Panther. Cates is showrunning the line of new titles by Tini Howard, Matthew Rosenberg, and Vita Ayala, but writing a bookend volume to kick it off. No word on his ongoing involvement in writing duties on any of the books. The original Marvel Knights imprint rebooted Daredevil, Black Panther, & Punisher, updating them to a grim, more realistic street-level version of the Marvel U. Other Marvel Knights titles featured work by Grant Morrison on Fantastic Four & Greg Rucka on Black Widow. Joe Quezada and Jimmy Palmiotti oversaw the imprint and chaired the panel today for Marvel. 

New Star Wars books from Marvel Age of Republic by Jodi Houser, Age of Rebellion by Greg Pak, and Age of Resistance by Tom Taylor are linked together in a maxi-series format. The Houser book sports a Darth Maul cover, perhaps focusing on the Clone Wars era exploits of the popular Sith. The other series will explore points throughout the Star Wars timeline. IDW is also releasing Tales from Vader’s Castle under the Star Wars Adventures imprint and are written by Cavan Scott w art by Derek Charm. 

Joss Whedon, fan favorite creator of Buffy, Angel, Firefly, and Astonishing X-Men, announces they’ll be extending their Dr. Horrible from the web series Dr. Horrible’s Sing-Along (with Neil Patrick Harris, Nathan Fillion, and Felicia Day, my favorite person in the world & personal hero) with a new comic book series. Whedon also recently announced he’ll have a new series premiering on HBO after an apparent bidding war between the studio & Netflix. The new book will be titled Dr. Horrible, Best Friends Forever. 

Iron Fist 2 has a surprisingly positive panel appearance given the resounding thud with which the character has premiered in the Marvel Netflix U. The panel unveiled the S2 villain, Alice Eve playing Typhoid Mary, a pyromorph with multiple personalities drawn from the pages of 1990’s Daredevil. Eve described her as consistent with the character from the comics and extremely violent. Footage also showed Fist in his traditional yellow mask and the panelists discussed that the series will have a more Heroes for Hire-feel to it, playing off of Danny Rand’s and Luke Cage’s friendship/bromance. If Marvel can rehabilitate this title, that would be big for the Netflix properties which have languished a bit after a strong start. Defenders, Iron Fist, and Jessica Jones S2 are widely regarded as the three worst shows in the Netflix U, all releasing in the last 2 years. 

DC Animated announced S3 of Young Justice titled Young Justice: The Outsiders. The Outsiders, longtime DC fans will remember, are a group formed by Batman to operate in tough situations that traditional heroes can’t handle. The group in the comics was actually led by Batman for years before he turned leadership over to Black Lightning and Metamorpho. Young Justice is a solid animated series and S3’s announcement was highly anticipated by fans. 

James Gunn was fired from the MCU due to internet outrage by Pizzagate promoter Mike Cernovich concerning old tweets, ending his work of Guardians of the Galaxy 3 and causing Sony to cancel their secret announcement of a new project he had in the works for their studio. Gunn had already issued several apologies for the tweets & released another statement of regret in Friday. Marvel Studios released a brief statement as well. 

Marvel hosted a Marvel Rising cast meeting Thursday night featuring the actor playing Patriot and the actresses voicing Squirrel Girl, Ms. Marvel, Quake & Ghost Spider (formerly Spider-Gwen). In addition to Jess characters, the cartoon will feature America Chavez, Captain Marvel, and Lockjaw, the Inhumans’ teleporting dog. Internet Nazis have been in a tizzy over the show featuring only one white male character but no one cares at all what they think.



DC Films’ new Joker origin film with Joaquin Phoenix has released a few details including the alter ego of this version of the Joker, Arthur Fleck. Fleck is rumored to have some ties to the Wayne family to play up the drama between Joker & Batman’s alter ego, Bruce Wayne. Zazie Beetz (Deadpool 2’s Domino) is said to be portraying a new character not drawn from comics. Rumors also concern Robert De Niro’s interest in being attached to the project. 

In other DC Films’ news, Shazam costumes were on display, including a tiger patched backpack & the classic red leotard with a cape pinned to it by golden buttons. Nothing else at this time, although I’d expect a trailer for both this & Aquaman by Saturday night. 

Dave Micheline (co-creator of Venom) will be working on the Venom annual w writers Donny Cates and Jeff Loveness. 

Andrew Lincoln (Rick) is officially off of The Walking Dead, which is not really news bc it was so heavily telegraphed by the show & Lincoln. 

Jodie Whittaker, the 13th Doctor Who, has made a huge splash at SDCC 2018. Everyone loves her except internet Nazis (who we’ve already established no one cares about) & she made her debut at SDCC showing up at a fashion show in the show’s honor and style, in disguise until she hit the end of the runway & tossed off her hood to reveal the new Dr. Who costume which Whittaker described as neither for men or women, but for anyone, just like the show. 

Better Call Saul was at SDCC 2018 w a lot of the staff from Breaking Bad (including Walter White himself, Bryan Cranston) for their S3 launch in a month (8/6) and the 10-year anniversary of BB’s premier. 

Updates:

Jeff Lemire announced two projects: a completed script for the pilot of Essex County, his project for Top Shelf that launched his mainstream career, & an upcoming 12-issue Black Hammer series w Jose Villarrubia. The Essex County option is held by Canada’s CBC network & according to Lemire a decision on the six-episode series will be made shortly. No release info is ready for the new Black Hammer project. 

Player Unknown Battlegrounds is going mobile. That’s all I know about that. 

Venom footage from SDCC shows him fighting a silver version of the symbiote believed to be Riz Ahmed. Venom apparently bites a dude’s head off and says “yeah”. This should be a part of a Justice League movie (or at least Aquaman).  

Cloak and Dagger has been renewed for a 2nd season on Freeform. 

There are lady Predators. That’s all you need to know about that. 

Frances McDormand will be the voice of God in the film adaptation of Neil Gaiman’s Good Omens. She’s amazing so that’s also great. 

We’ll have more news as stories develop throughout the night and weekend. 




Thursday, July 19, 2018

SDCC Day 1 News: DC Universe, Morrison on Green Lantern, Johns on Joker/Shazam, & More!

Day one SDCC News is up! We’ll be keeping you posted here on all the announcements and goings-on. 

Biggest announcement: Grant Morrison & Liam Sharp on Green Lantern. This book has been rumored for quite a bit now, but knowing the exact team will bring the excitement to a fever pitch. Morrison has a cult following esp. w DC fans and will give this title a real shot in the arm. A crime procedural in space sounds pretty compelling. Sharp is just off of his solo creating the Batman/WW Brave & The Bold and his run on WW w Rucka was well liked. This book should sell well & be high quality. 

Runner up: two Geoff Johns titles, Shazam w Dale Eaglesham & 3 Jokers w Jason Fabok. Johns recently announced he was stepping down from his VP position w DC to rejoin the creative team & he’s hitting the ground running. Shazam seems like a stretch for a guy of his talent. But they’ve got a movie coming out & his vision will help sell it to the comic book faithful. Eaglesham is a talented artist who should realize Johns plots well. 3 Jokers should be a top-selling book & a creative success. Recent stories hinted that the Joker has not always been one man but is rather a spirit of chaos/murder. This tale will resolve that thread w a fan favorite villain & a very hot artist. Should be a solid book. UPDATE: Johns also dropped some info on his new imprint at DC. It’s called The Killing Zone, it’s politically motivated, & it deals with characters from the Golden Age (1940’s) to the 2040’s (Legion?). It’ll hit the stands in May 2019. No details yet on what will be released at that time but it’ll be multiple characters & properties under one banner telling a semi-unified narrative. 

Also, Kelly Sue DeConnick & Robson Rocha (recently of Deathstroke & Supergirl) are taking over Aquaman ahead of a the movie’s release. This should be a vote of confidence in a team that will see interest in this cast of characters at an all-time high. DeConnick has a solid fan base & the recent success of their Mera solo title bodes well for interest in this book. 

Clone Wars returns for a new season on the Disney streaming service. Not a lot of detail to this announcement, but it’ll be red hot given that the next Star Wars film isn’t for over a year & the intense polarization over The Last Jedi & Solo. The Clone Wars is nearly universally well received by fans & should be a notch in the belt of the Star Wars universe Disney envisions. 

Wolverine returns! Logan will be back in his solo title this Fall with Charles Soule (architect of the character’s death) & fan favorite artist Steve McNiven at the helm. Word has it that Wolvie has a new power set that heats up his claws to ridiculous temperatures, which I don’t know — sounds dumb — but maybe it’ll be cool? Soule is a talented writer & I’ve liked all of his work including Daredevil, Vader, & the series returning Wolverine to the MU. We’ll have to see the reasoning behind it. 

DC Universe streaming service: it’ll be 74.95 annually. You’ll get to watch Titans & (another Geoff Johns production — and his creation). Dick Grayson says fuck and kills people, apparently. Raven looks cool. Starfire is portrayed by a black actress. Beast Boy looks like Beast Boy. Stargirl will feature the JSA, which is way more interesting than Stargirl is. At any rate, no one is subscribing to this & everyone will stream it, right? Right. Hard to know if these will be any good or just more of the Arrowverse type garbage we’ve gotten from DC tv. The extra dark version of Titans seems to hint that they still think everyone should be Batman or more dark/grim than even that.

Mark Silvestri Batman/Joker team-up was announced during the Black Label panel. Some story details including the kidnapping of Jim Gordon & a new villain, but no release date or format details at the moment. 

There should be a bevy of additional announcements from Marvel coming up, including FF, Gaiman & Miracleman, & at least one, maybe more, X-book. HBO, MCU, & Star Wars are all OUT on SDCC this year, so it’ll be nearly all comics, TV, & DCU films. I’d expect Fox to show us more Venom & maybe some Phoenix, Netflix may have some Millarverse material for us, & BBC will definitely be getting folks hyped for the new (and first female) Doctor. I’ll be around tomorrow with more news. 

Monday, April 30, 2018

Infinity War: Reaction, Review, & Analysis


I just left the theater, but I have a lot of thoughts about Infinity War. First, the movie is fantastic. It exceeded my expectations in every war, including plot, execution, character development, and conclusion. I was becoming increasingly concerned about the scope of the film and this difficulty that would present in explaining what characters were up to and why. After watching, I no longer have any of those concerns. Second, this movie is not for casual fans. I suspect some will be left wondering who some characters are and why they’re doing what they do. Marvel did not seem to care, which is awesome. Thanks for having the biggest payoffs for the biggest fans. It’s something Warner never does with their movies and it’s appreciated by the faithful. Finally, the movie is long, but not too long. The action is well-paced, heavy, and fun. I never felt like the story became plodding or trite (like I and others have complained about with some of the Netflix products) in spite of the length. It was wholly appropriate in my opinion to make this film over two hours. The grand scale renders it necessary.

Where does it rank in relation to the best Marvel products? Very highly. Probably only as low as the top three, maybe as high as number one. It is as funny as GotG Vol. 1, as twisting as Winter Soldier, and nearly as heartwarming as Homecoming with superior action to all three. The universe spanning plot has very few broken portions (I will discuss some concerns) and so many things going right that it’s an immediate contender for the best Marvel film.

Is it better than Batman TDK? No. End of story. We may never see a comic book movie like that ever again, or at least not until the current generation of Warner/DC films execs retires. Is it Marvel’s TDK? Sort of. Thanos is the same type of compelling villain as Ledger’s Joker, even if not as compelling. He’s the first villain in the same category as the Joker that Marvel has produced. It took them 826357635 movies. That said, DC films are trash, except those first two Batman movies, and, yes, I’m including Wonder Woman (sorry, but I’m not sorry). The future of Marvel films is bright and the future of DC films is questionable at best (and potentially an unmitigated disaster and my personal opinion leans this direction).

Good or bad news first? Bad news? Ok, here it goes…a definitive list about things that were not good in Infinity War:

Vision & Scarlet Witch: I loved Paul Bettany in Avengers 2. He looked great. His acting was compelling. Vision seemed to be a character on the up and up. He’s given us solid performances up to this point. Elizabeth Olsen has been less exciting of a character both because of the MCU nerfing of Scarlet Witch’s powers and because of her association with Quicksilver (who sucked) and disassociation with Magneto (who Marvel didn’t own the film rights to when she was introduced). As a result, the romance of Vizh and Wanda has basically no spark, the performances are not particularly compelling, and their sort of at the heart of the personal drama for the climax of the film. It’s just not working. The two don’t work well on screen together, no one is feeling it, and neither of the heroes is developing anything on their own to compensate. Olsen does awesomely drop some thresher spaceships on a bunch of space dogs, but that’s basically the only decent moment either has in the whole 2+ hour long movie and one of them has an infinity stone in his face. Sad!

Dinklage: Burning Tyrion on some weird dwarf (who is, ironically, super tall) with voice immodulation disorder was a waste. Unlike some others, I enjoyed Nidavellir, especially the interaction between Thor and Rabbit (Rocket, constantly referred to as Rabbit by Thor). Loved the scene where Groot improvises the handle to Stormbreaker. And showing Thor taking a star to the chest is a pretty good power-level demo. But Dinklage is an A-list actor stuffed into a D- performance (maybe, the worst of the film) burdened by poorly written dialogue, poorly envisioned vocal work, and generally looking like a bassist for a space metal band.  

The Soul Stone: Thanos doesn’t love anyone or anything except the gauntlet. He’d never get the stone by tossing Gamora into the pit of doom because he doesn’t love her. She was right, the writers were wrong, end of story. If this was the Marvel Universe, not the MCU, he could have sacrificed Death, but that’s the only thing the Mad Titan loves other than genocide. His acolytes are tools for his ego, not people he cares about for their intrinsic worth. I don’t buy the tears, I believe her, and nothing will change my mind about this. Perhaps we haven’t seen the last of Gamora’s story arc given the weird red room Thanos enters before wiping everyone. Maybe we’ll get a second try on the soul stone later. To me, this is the single plot hole I can’t reconcile myself to. It’s relatively minor, I’m a stickler and I know it, so I can let it go and enjoy the rest for what it is.

The good news

There’s so much. This is going to take a while…

Empire: Thanos Wins! He wipes out half the life in the universe. It’s awesome. Just when you think the heroes have done it in the nick of time, he turns back the clock, wipes out Vision, then Thor kills him, but he doesn’t, and Thanos kills everyone. It’s awesome. It’s the MCU’s Empire Strikes Back. It’s the first time the villains didn’t drop the ball on the goal line. I can only imagine how ten-year-old me would be reacting right now. Jaw agape for 13 months until I get some friggin’ answers. The silence at the end of the film is deafening, both on the screen and in the audience. I can still hardly believe they did it. Making no excuses for Thanos’s power and never letting the heroes off the hook with McGuffins and freak power ups makes this movie the most unpredictable, unforgiving, and consequential MCU product to date. Empire is a once-in-a-generation movie. Infinity War may just be that same class.

Sense of Humor: The jokes are great, and, genuinely, getting better. Guardians has set the tone for this phase of the MCU and it has positively affected all of their properties and was executed here to a tee. The banter between Stark and Strange, between Parker and everyone, between Thor and the Guardians, especially Rocket, and between all the Guardians and anyone else is wonderful. It feels like a Marvel comic book and that’s a very good thing. Parker’s “Oh, we’re using our made-up names…” and Drax’s deadpan “turning invisible” bit were both fantastic. Batista has become a very strong comedic actor and Tom Holland is the future, period. He steals every scene he’s in. This movie is fun in spite of the universe-wide genocidal backdrop.

Action: The movie starts with a royal rumble Thor and the Hulk, the Avengers two biggest brutes, taking on (and getting their asses hand to them by) Thanos in the first five minutes. That’s really something. It sets the tone that this movie is not holding your hand. The film will show you what’s happening and you’ll figure the rest out on your own. They don’t do a quick introduction of the Black Order, or even refer to them as such, they just start doing nasty stuff and you figure out their Thanos’s bros, and that’s that. Everyone gets into the action, including some characters we’ve not seen do much before (like Mantis) and some others we’ve never seen do what their doing (like Tony’s even more Extremis-inspired nanotech armor and the Iron Spider version of Spider-Man). The Battle for Wakanda is epic and glorious. Wakanda Forever!

Huge Moments: The big three of the Avengers all have epic moments in the film. Thor has the most for sure, given that he takes a star in the face, he spins the rings that power a dying star with his legs, and then he bifrosts his ass to Wakanda just in time to drop Stormbreaker all over the space dogs murdering his friends. Thor’s a god. It’s only fair he has the most badass things happen to him. Tony has a lot of great moments, including dropping the ship on Thanos, the one-on-one faceoff with the titan, and his heart-wrenching embrace with a dying Spider-Man. He’s the beating heart of the Avengers, even if he’s not it’s heaviest hitter. Cap’s profiled introduction in the first attempt to de-stone Vision got a great pop from the crowd, his foot race with Black Panther is great, and his test of strength with Thanos, even in failure, reminds the audience just who Steve Rogers is, the bravest Avenger of all. For me, watching Thor light up on the field in Wakanda was, no pun intended, the most electric moment of the film.

Big Surprises: Two things stand out the most: Red Skull is alive and looking over the Soul Stone and Fury dialing up Captain Marvel in the post-credits. I’m pretty sure I audibly gasped when Skull walks out from the darkness in his introduction. That’s just rad. Skull is too important a Marvel villain to trash out in a Captain America movie that wasn’t ready for a villain of his grandeur. It is a promising prelude to his reintroduction into the MCU at some point in the future and all the Hydra (and Zemo, and Strucker, and the list goes on) glory he entails. I was blind-sided, and I’m not often surprised by anything in a comic book film. The post-credits scene was subtle and not exactly a shocker, but it was a well-executed segue into the upcoming Captain Marvel (Carol Danvers version) film debuting around a month before Avengers 4.

Analysis

What’s next? What’s the resolution? Theories and thoughts…
So, did Thanos just kill everyone? Let’s recap: Winter Soldier, Groot, Black Panther, Falcon, Scarlet Witch, Star-Lord, Mantis, Drax, Spider-Man, Dr. Strange, Maria Hill, and Nick Fury have all been willed out of existence by the Infinity Gauntlet. Or so it seems. They similarly disappear off the face of the planet by appearing to turn to ash and then just fading away. Some things to keep in mind about the gems: we’ve never seen a stone directly kill someone. When it affected Drax and Mantis earlier on Knowhere, they just go back to normal later. The gruesome things it does to them should kill them, but they don’t. So that’s weird. The soul gem is a mystery. They say so directly in the film (“no one really knows how it works”) and it doesn’t have a direct analog to an obvious material power like the others (power is like energy manipulation, time, space, and reality all manipulate those dimensions, and the mind gem allows for powerful telepathic powers – not that Thanos ever uses those, that we know of). Is it possible that the stones can’t kill anyone and that the people Thanos “wiped out” were really just blinked into the soul gem (which, in the Marvel Universe, has a soul realm where many, including recently Gamora and historically Adam Warlock, the dude most likely in that egg at the end of GotG Vol. 2, folks have lived). IMO this is one of the most plausible resolutions of the story: half of the world is trapped in the soul gem, a weird parallel reality, and the other half has to bring them back.

The other best explanation I’ve got is that Dr. Strange already knows how the heroes win and he’s manipulating events to ensure that the heroes accomplish the moon shoot 1: 15,000,000 chance he’s seen in his trips through time. To do so, he knew he had to let Thanos win so he’d lower his guard and wouldn’t kill Tony, who is essential in some way to the ultimate victory over the Mad Titan. It’s plausible some sort of time/dimensional travel is necessary to do so and Dr. Strange has left the heroes clues through time on how to do it. Captain Marvel’s film takes place in the 1980’s and it’s feasible that Strange passed on some critical info to her in the past that could impact the ability of the Ultimate Alliance to win in the end. Time or interdimensional travel could also kickstart some changes in heroes’ identities necessary for addressing the impending retirements of some actors in key roles in the MCU, and help introduce both the Fantastic Four and the mutants once the deal with Fox is finalized, most likely in the 2020-2021 film seasons with teasers starting as early as next year.
Hawkeye and Ant-Man? As noted by Natasha, they’re on house arrest for the events of Civil War, but, really, they didn’t even show up at all when space aliens landed in Greenwich and Wakanda? Fury didn’t get them involved? Cap, the greatest strategic mind in the MCU, doesn’t drop them a line on the way to Wakanda? I have a strange feeling there’s a role yet to be played by these two and that they’re being held on deck for a reason. I understand that shoots-arrows-guy and size-manipulation-guy may not seem like a huge deal, but Hawkeye is a proven leader with not only incredibly accurate marksmanship but also great strategic sense and tactical execution. His usefulness in a global conflagration of this size is without a doubt, even if he isn’t singularly decisive. Ant-Man is more useful here for being small than being big for sure. His stealth could allow him to get under an infinity stone and break up the gauntlet’s monopoly without Thanos detecting him. He could be a real difference maker. Along with Wasp, they’d make for a formidable one-two punch between the ears as well.

Loki will come back, but not the Tom Hiddleston Loki. Asgardian gods don’t tend to stay dead for long, but they come back in new forms, sometimes de-aged, sometimes non-human, sometimes gender-swapped. I’d bet on a young Loki going forward, but perhaps alongside Hemsworth continuing as Thor. I see no reason he couldn’t go on for a couple of more films as the Odinson.
One final theory: everyone that looks like they’re dead is alive and everyone that looks alive is dead. Being stuck in the “real” reality is the hell-on-earth and Thanos’s picturesque reality created by the stones is the one where all the reality-bent heroes went to. Maybe no one is dead and Thanos just broke off a new universe. It is odd that all of the newest MCU characters are the ones that faded, and all of the impending retirees are still up and going at the end of Infinity War. It’s not what you expect so maybe it’s not what you think either. I wouldn’t be shocked if the swerve is that only the faded heroes live somehow. It makes the most sense for the ongoing MCU if they do so. I must admit that the sequels to GotG, Spider-Man, and Black Panther all seem odd going forward without their stars and all have been confirmed by Disney/Marvel.

Concluding thoughts
This is probably enough for now. I loved the movie. It’s a special ending to the first generation of Marvel heroes. I hope folks enjoy it the same way I did, on the edge of my seat for 2+ hours. I’ll be looking forward to Ant-Man & Wasp, Captain Marvel, and Avengers 4 over the next 13 months. And, of course, to the upcoming books from Marvel and DC on Free Comic Book Day this Saturday. Until then, Make Mine Marvel.

Tuesday, January 2, 2018

On Bendis's departure for DC

Brian Michael Bendis has been one of Marvel's central creators for 15 years. His departure today for DC comics represents a massive shift in creative talent to DC. Locking up Tom King to an exclusive and putting him on Batman while simultaneously moving Marvel's most consistent writer of the last 20 years to the competition is nothing short of a coup. While Bendis's books no longer perform like they did when he was taking on Avengers, he's still writing top books, like Defenders (with David Marquez), Jessica Jones (a personal favorite), two Iron-Man books (including the new Ironheart character, RiRi Williams) and the Miles Morales Spider-Man book. His books have driven the Marvel U. for an entire generation and he's irreplaceable.

That said, who will replace him? LOL. Donny Cates is a nice little splash, and his new Doctor Strange and Thanos arcs have been well-received, but Marvel will need a big name to come back and grab headlines. DC has dominated the virtuous news cycle this year with the Bendis hiring and the success of Metal and the Wonder Woman films overshadowing poor performance by the JLA film and family of books. I have 3 ideas:

1) Grant Morrison & Frank Quitely return to the X-Men: The current X-Men books are horrible. I'm not sure I buy the conspiracy that Marvel is tanking to hurt Fox or whatever, but that's all over as soon as federal regulators approve the sale of Fox to Disney. Expect big news in the X-family soon. Morrison is the kind of guy that brings a stable of fans. His X-Men run was the last well-received core X-book, and I'm sure that the offices at Marvel are contacting him to see if he'll come back. I love the idea. If accompanied by Quitely art, this book will be number one for as long as it wants to be.

2) Jonathan Hickman returns to Fantastic Four: The FF will be back. We know that the plans are in the works since Marvel 2-in-1 featuring Ben and Johnny just came out in December. It's only a matter of time before the first family of Marvel returns. I suspect Hickman, who continually says he isn't working on superhero books, will be their target. He wrote the best Fantastic Four since Stan and Kirby. It only makes sense that he'd be the person to breathe new life into this product for the inevitable Marvel film relaunch. One other FF idea: Warren Ellis. He wrote the Ultimate FF (and Planetary, an all-world FF tribute book), creating the incredible villainous Reed Richards now haunting the Marvel U. Ellis and start artist could be splashy.

3) Brian K. Vaughn on anything, Runaways: He has a huge name that transcends the medium. His best Marvel book is currently a hit show on Hulu but being written by a total schmuck in the current Marvel U. Getting Vaughn to create a new property for Marvel would be tough, but allowing him to write a year or two of a premium property could be attention grabbing. He'd do well on Miles or Iron Man, I think, both books being abandoned by Bendis.

That leads into another question. Who can take over some of the Bendis books? Defenders I assume is just over and done. He'll wrap it and it'll never be heard from in this incarnation again. Too bad, it's a solid product. But other things like Jessica Jones and Miles Morales, not to mention Iron Man, aren't just books Marvel can easily walk away from. Jones is back by demand because of the success of the Netflix property, Miles is in cartoons and about to be in a feature length cartoon film, meaning they need to keep the books in production. Iron Man is a core Marvel character that isn't that easy to write but is sufficiently high profile that leaving it out of the lineup would be a mistake. I'm not sure there are great answers to some of these, especially JJ who has literally never been written by anyone but Bendis, but it'll be a core question for Marvel to grapple with moving forward.

Finally, what will Bendis be doing for DC? I've seen a lot of speculation on this ranging from the obviously wrong (Batman) to the truly insane (it's a secret Marvel/DC crossover and he's bringing some of Marvel's properties with him, like Jessica Jones and Luke Cage), but others seem highly plausible. I think the most obvious is Teen Titans. Bendis has shown a real penchant for writing teen characters and giving gravitas to their drama while telling big, high-octane stories. That's Teen Titans. He's a perfect fit. From a market standpoint, JLA might be the best idea. It's performing terribly for DC, only getting worse because of the bad movie, and should be their flagship. Bendis has written the core team book for a company more than once with Avengers, Guardians, and X-Men all under his belt. JLA would be in his wheelhouse. If DC is playing to their strengths, there's a lot of interest in Wonder Woman at the moment and Greg Rucka's run on that book just ended to be replaced by no one of note. Having a high-profile writer on the book that represents your best film in 10 years is a good idea and would make sense. He's demonstrated a penchant for writing badass women, but Jessica Jones is also as far from Diana Prince as a woman could be.

If I'm writing a wishlist, I'd say Catwoman. I loved the Brubaker and Cooke (RIP) run on this book 10 years ago, but it's been a dumpster fire since. Bendis would be a solid fit for a too-clever-by-half Selina Kyle. Legion would be pretty high up there, maybe including a reborn Connor Kent as a Superboy and the Legion title. It's a lot like Teen Titans, but not as trite because there have been like 20 good Legion comics written in the last 40 years. It's a big sandbox for Bendis to play in. One downside: his cosmic stuff at Marvel was not his best. He's a bit better on the ground. A revival of Gotham Central would be my last wishlist book. I loved the Brubaker and Rucka book and Bendis could do similarly intricate, gritty stories of the insides of Gotham politics and the shield. If anyone could follow up that run, it'd be him. Probably not a big enough seller to get him on it though.

Keep in mind that DC is doing this push for new stories and new characters right now. It's entirely possible Bendis is just doing something totally new for them and we have no idea what we're speculating on at all. At any rate, it's going to be a wild ride. How Marvel adjusts to his departure and how DC uses him going forward are all interesting questions to ponder and debate today.

Top 10 comics of 2017

I haven’t blogged comics in a long time. Sorry about the two-year break, but life interferes sometimes. A lot has changed in comics, from diversity backlash to Bendis switching teams, but the creators in my top ten will look very similar. Of course, there are some new faces and a bit of rearranging, but a lot of the folks that were making great comics in 2015 are making great books now too.

A quick note on some books that didn’t make the cut, and some of the rationale for why:

A.D.: After Death: This is an excellent book, surely one of the best works to come out of the previous year, but I left it off because it feels like a graphic novel more than a comic book, so I feel like it fits that category better. If I had included it, it would be top 5. Honestly, this is the best book Scott Snyder has ever written, and his collaboration with Jeff Lemire (who’s nothing like Greg Capullo or Raphael Albuquerque, his typical co-creators) feels natural and well-executed. It’s an interesting ditty on the downsides to immortality and what makes the finitude of humanity an essential aspect of us. It’s good. You should definitely read it.

Royal City: Another Lemire book (both written and illustrated). This is more traditional Lemire telling heartfelt stories of personal loss and growth with a mildly out-of-body twist. It feels like the books that got him noticed (Essex County, for instance). It’s set in the early 90’s, so the music (a huge element of the book; it’s accompanied by a playlist for each issue) really hit home with me. The book tells the story of a family, their secrets, and the lies that tore them apart. Lemire’s ability to go back and forth from superhero fare to these incredibly personal, moving stories is what sets him apart from the competition in comic today.

Thanos: Jeff Lemire started this book and his run on the comic ended this year with some great moments. But the story today is about Old King Thanos, Cosmic Ghost Rider, and the new kid on the block, writer Donny Cates. This won’t be the last time you hear about Cates on this post; he wrote a top 10 indie yarn that’s one for the ages. But Thanos (and Doctor Strange which he took over from elite Marvel architect Jason Aaron) is probably the book that requires the highest level of creativity to execute well. Villain-led books aren’t often world beaters in story quality, but Donnie found the one character with enough gravitas to hold the page with Death’s scion: an older, wiser, Thanos, full of regret and ready to right the wrongs of his youth. Only a few issues in, it’s the talk of the industry and internet.

Some near misses. Some books worthy of note that didn’t make the cut for one reason or another. But not, without further ado, the list:

10. Saga: Anyone that tells you they just don’t like Saga is a hipster. The expansive space opera of Brian K. Vaughn (Runaways, Y: The Last Man) is a bit of a Rorschach test: there’s something in it for everyone. Tons of characters, well-developed, with personality and life, give every reader something to grab on to and enjoy and they do it without pandering. When they introduce an adorable walrus alien with a spear, he doesn’t sit around doing adorable walrus things (*cough* porg *cough*), he has to confront existential dilemmas and resolve core questions about friendship. Fiona Staples has only gotten better as the book has gone on, never falling prey to the “phoning it in” problem that some artists do after spending years on one book. In my estimation, the book languished a bit the last couple of years and had a breakout year in 2017. It’s on the rise.

9. God Country: The next person up at Marvel, Donny Cates, started the year off with what felt like a personal story of sword of sorcery, set in the American Southwest. An elderly man dying of Alzheimer’s is bestowed great power, and a new lease on life and family, by a god’s weapon, the essence of all swords. The story navigates themes of heroism, sacrifice, and what it means to let go while telling an enchanting story featuring great battles and hideous monsters. Much like The Preacher, I regret that this book takes place in Texas, but it probably couldn’t happen anywhere else. Cates book was such a hit he was quickly signed to a contract with Marvel, took over two moderately successful books from top creators, and will be conducting what I believe is the company’s first ever Doctor Strange-oriented cross-over in the Spring. He’s a creator to watch.

8. Black Monday Murders: Jonathan Hickman has taken a breather. He deserves it. The primary architect of the Marvel universe for around five years, Hickman pulled back after Secret Wars and has “retired” from superhero books. His first new indie project at Image, Black Monday Murders, mixes financial intrigue and the occult in a way that is simultaneously disconcerting and entrancing. Expertly illustrated by Tomm Coker, the book is moody, getting under your skin with unspeakable atrocities and shadowy figures. The narrative isn’t central, but the pulp gumshoe element of the story harkens to Cthulhu stories past while simultaneously saying something about the fiction and horror of modern capitalism. The interrogation scene (issue 3? 4?) was my favorite single comic book of the year. A true masterpiece.

7. The Old Guard: Greg Rucka. Leandro Fernandez. Dream team. This book starts off a bit slow but by the time you realize there’s a double-cross, there’s two more triple-crosses and the story is already blowing your mind. A story of intrigue, betrayal, and timeless kinship told in a high-octane yenvironment, this book begs to be made into a summer blockbuster. Fernandez art is next level, really demonstrating both energy and movement and retaining human emotion at once, his best work to date. Rucka is, as always, telling an intricate story but never forgetting the moments that really humanize characters. The Lazarus hiatus is regrettable, but if you’re looking for a substitute, pick this one up.

6. Mighty Thor: Thor comes down from its loftiest heights at the top of this list, but retains an elite position through staying true to itself but continually finding new angles to define the world of Asgard. To start, Jane Foster is an incredible Thor. She’s nothing like the Odinson in many ways, but she is every bit the hero he has been, and her fresh-faced approach to interacting with Asgard, the rest of the Realms, and even the Odinson himself has breathed new life into a book that desperately needed it. I love mythology, but will admit that but for a few Simonson books I’d picked up here and there, Thor was universally boring outside of the Avengers. Foster’s Thor provides a perspective shift that makes the book not just idiosyncratic, but must-read material. Jason Aaron’s Thor will be considered the defining run on a character that has been around 50 years in comics. That’s quite an impressive feat. This year featured the god challenges, more of the War of the Realms with Loki and Malekith continuing their assault on elves and dwarves, and the War Thor – a compelling take on a long-time Thor side character that should be read, not spoiled.

5. Deadly Class: I’m going to come clean that I’ve maybe slept on this book for too long. I’ve never blogged about it, although the writer, Rick Remender (Fear Agent, Uncanny X-Force, Tokyo Ghost), is no stranger to my praise. I don’t want to come off like some follower because I know the pilot has been shot and the shot will be on the air in the Fall. I’ve liked Deadly Class – a lot – for a long time. This book is basically about a reform school for criminals’ kids. No, not that kind of reform school. They’re reforming them to make them better at carrying on the family business. There’s an evil Mr. Miyagi-type that runs the place. There’s Breakfast Club-style cliques and archetypes (buff Russian meathead, black gangsta from LA, Jewish white-collar criminal, redneck moonshiners, Japanese yakuza ninja-type, etc.). There’s an 80’s new wave soundtrack. And there’s murders. Lots and lot of murders. This year the book follows the kids in the aftermath of their first-year final exam (“survive”) and it’s been excellent at resetting the status quo without losing the heart that made it so good in the first place.

4. Squirrel Girl: I was so resistant to this book at first. I was so wrong and I’m not afraid to admit that. Ryan North and Erica Henderson are the only two people in the world that could write and illustrate this book month-to-month and make it even ok. The concept is just…something else. But Ryan writes the book in earnest, diving headlong into its over-the-top do-goodery and tells stories that are at once hilarious, fun, and just really good comic material. I’d never have guessed the many return appearances of Kraven and Doctor Doom (or Doom Bots) would have the payoffs that they have. Deadpool’s history of the Marvel U. cards are always a favorite. The stand out issue of this year was definitely the Zine Issue, a no-filler filler between two longer arcs. In many previous years, this would be a number one book. That’s how good the top 3 titles are. You should read every single issue of Squirrel Girl as soon as you can.

3. Batman: So, I haven’t blogged about Tom King yet. That’s what happens when you’re away for two years I guess. The best recent comic book (but not in 2017) I’ve read is Marvel’s The Vision. Before its final issue came out, Tom King was signed to an exclusive with DC, given the job at their flagship title taking over the reins from legendary (but overrated) Batman creator Scott Snyder. He was also writing an incredible Vertigo book entitled the Sheriff of Babylon for Vertigo at the time, so it’s not like DC was just poaching him. But, they clearly had no idea what level of talent they had on their hands. They do now. A lot of folks would say, “Russell, what about Mister Miracle? That’s so much more heady like you typically like and it’s got the brilliant Mitch Gerads from Sheriff on art? How is Batman better?” The War of Jokes and Riddles is my favorite Batman story in a long time. It’s what was missing from the Snyder run in my estimation: a cleverly told detective story. You never see it coming. And, after that, King followed it up with the idea to get Bruce hitched to Selina, an idea so terrible it’s great. (As an aside, I have a lot of theories on where this is going, but my favorite is that Bruce, as he’s prone to doing, let’s her down in some terrible way, she becomes his worst enemy, and a new era of greatness is begun for Catwoman, one of my favorite characters since watching the 60’s show on Nick-at-Nite.) The second best single issue of the year is the most recent issue of Batman (37? 36) where Bruce and Selina double-date at the fair with Lois and Clark. It’s the top Batman issue in 20 years.

2. Kill or Be Killed: Am I crazy or did I make a deal with a demon to kill dudes? That’s the question Ed Brubaker and Sean Phillips ask in their newest work. These two have now made so many top books dating back to their days on Sleeper that I’ve actually lost count. Everything they do demands attention and typically high praise. Kill or Be Killed is no exception. As usual, their book revolves around an average person forced to tough choices in extraordinary circumstances. But there are no right answers for the characters in the Bru/Phillips universe; characters fail and they fail in epic, mind-boggling ways. The central element of this book is the growing realization that the character who believes they made a deal with a demon that requires them to perform murders to satiate a curse might just be imagining the whole thing based off some childhood memories and some daddy issues. But is he doing the right thing anyway? Would he change anything if he realized he was crazy? It’s an exploration into the depth of the human psyche and what folks do when pushed to their breaking point by life’s betrayals and banality.

1. Black Hammer (& Sherlock Frankenstein): This book was the easiest number one I’ve ever settled on. It’s been many years since I’ve so anxiously awaited new issues of a comic and Lemire’s pulp superhero exploration never fails to exceed expectations. Superhero deconstructions are a dime a dozen in the era since The Watchmen and The Dark Knight, but Black Hammer feels like the next level in the evolution of that deconstruction. It takes character archetypes folks know and adjusts them not to be realistic, but to be fantastic in a new way. It’s actually hard to put a finger on what works so well about this book without knowing Jeff Lemire’s work. The characters are vibrant, life-like, but not stale regurgitations of Superman or Martian Manhunter (although those characters are there). The world-building he does in under 150 pages should be required reading for anyone writing superhero comics in the world. It’s incredible, ornate yet still mysterious. The book doesn’t read like an issue of Who’s Who, but still tells you interesting facts that establish a wider universe around the characters. The great mysteries of “What happened to Black Hammer?” And “Why are all of the superheroes trapped in a Truman Show-world?” drive a narrative that burns the pages. I won’t say I’ve never read anything like it, but I’ve hardly ever read anything better than it. It’s the best book of 2017 by far.


That’s it for the top 10 of 2017. Only 3 books by Marvel and DC combined. The balance of power in comics is shifting. I’ll be blogging about that very issue and many others in the coming month as I get caught up on lots of topics over here. Stay tuned. 

Friday, December 25, 2015

2015 Top Ten Comics

The top 10 has seen a lot of change for one year. No Brian Bendis. No Avengers. No Batman. In fact, the only conventional superheroes on the list are Jason Aaron’s Thor (maybe a stretch) and a new, old version of the man who is the best at what he does. Marvel’s Secret Wars schedule delays and revamping have altered the status quo and, well, it’s not all good news. The problem isn’t so much the characters, but major changes in the writing teams on key books have shaken up the quality of some of the most powerful products in the industry.

10. Thor: Thor is a better book than its rank, but this year the main title was disrupted for the Secret Wars mini Thors, which was, in my opinion, the weakest entry into Jason Aaron’s character defining run on the title. This book should be in the top five, but that disruption and its far inferior quality bumped it way down. Dauterman is illustrating this book beautifully, Aaron writes it with love and attention to detail, and Loki is now back to form. I expect great things going forward. Keep up.

9. Unbeatable Squirrel-Girl: I missed out on the beginning of this series and regretted it as soon as I read the first of the new series. All caught up now, it’s one of my favorites of the year. I’m not going to try and explain it, but it’s a girl with squirrel powers, and a squirrel friend, and a cast of ne’er-do-wells engaged in zany adventures. It’s not high concept. It’s not really a superhero book. It’s just a lot of fun. One of the things I love about this book is the sub-panel editorializing which is often better than the featured dialogue. And the Deadpool cards are a nice piece of comic relief from the comic content. In fact, this book is Deadpool for people that are actually funny.

8. Old Man Logan: Two word: Andrea Sorrentino. Two more words: Rising star. I enjoyed this Italian artist on Green Arrow, one of the only readable books DC published in the new 52. Naturally, they stopped that. He’s since moved on to Marvel to great effect. His X-annuals last year are instant classics. This book is classic Bendis: brilliant, brooding character examination. A lot of Secret Wars doesn’t work. It feels like a vehicle for unnecessary change. As an effort to move Logan forward, however, this story really both works and has a solid impact. I look forward to seeing a more limited, less-Snikty version of the Canuck interact with the X-world in the next year. Jeff Lemire takes over when the on-going book launches next month.  

7. Ms. Marvel: If you haven’t already picked this book up, please exit your cave, head to the comic book store, and buy all of them. It’s not every day that Marvel invents a truly new character that anyone cares about at all. It’s definitely not every day that a new teen superhero comes along and makes sense, has heart, and is surrounded by an interesting and vibrant world. Ms. Marvel has it all. G. Willow Wilson and Adrian Alfonso are both creating at an extraordinarily high level and they continue to produce a book that has great superhero beats and wonderful heartfelt personal moments at the same time. This book isn’t getting worse; it’s improving. We’re not far from being able to wonder out loud if this book is the best of its type since the early days of Spider-Man. There, I said it.

6. Mind MGMT: This is so bittersweet. Mind MGMT is a title that would not have been published just 15 years ago. It’s a testament to how enormously diverse the comic book market is today that not only was it created, but by a large publisher, with deep support, and for a 50 issue run. Matt Kindt has never written something you shouldn’t read. This is something everyone can appreciate. From the painted art, to the boundary shattering use of the entire layout, to the touching, inspiring, mind-bending story, Mind MGMT has been a treat. Now that it’s over, I can’t wait to see what Kindt does next.

5. East of West: #22 is the single best issue of the year and one of the best comics I’ve ever read. I won’t say much more about this series except that Nick Dragotta is getting better with every issue he pencils. Not Hickman’s best year – Secret Wars has really sidelined his best work – but he still managed to do something incredibly special with this title.

4. Descender: Jeff Lemire is an elite writer. Dustin Nguyen is a veteran artistic talent, perfectly suited for a galaxy-spanning space opera. In a universe over-run with tech, where once-human roles have been filled by robots, and those robots eventually turn on not just humans, but all intergalactic life, robots are targeted for elimination. This story follows a companion robot, designed to be an effective friend replacement (sort of like a person that’s also a pet), through political intrigue, social crises, and a human/artificial life caste system that defines the post-war era. Lemire writes touching books with such a fine hand that you don’t feel overwhelmed by the softer moments in a spanning sci-fi conflict. It’s hard to overstate his aficionado handling of huge stories with a soul. This is the book Saga wishes it was.

3. Star Wars: Darth Vader: The biggest surprise of the year, hands down. The main Star Wars book is good; don’t get me wrong. Jason Aaron and John Cassady, though, feels a little bit like an all-star team: they’re talented but it doesn’t seem like they love playing together. Vader, on the other hand, is two creators that I think are relatively medium level talents getting more out of one another than they would otherwise. Gillen, now well-known due to the massive popularity of the Wicked + Divine, and Sal Larocca, most recently on Iron Man, are Marvel journeymen tasked with writing the most evil man in a galaxy far, far away. They pointed at the fence and knocked it out of the park. Forming an anti-party of a lovable rogue, a murder protocol droid, and a shoot first, burn second astromech droid, gives Vader a supporting cast that provides for comic relief, a bit of sense of fragility, and a real treat for the readers. Both arcs are well-designed and feel like Star Wars: action, anticipation, and a lot of fun. I loved this series. Honestly, the Star Wars properties have supplanted the Avengers titles as Marvel’s premier material today.

2. Velvet: Brubaker and Epting are a dream team. Either of them alone on a book would likely be in my top ten; together, they are second to one. Bru really knows how to plot a twisty book and is the best storyteller in comics today. He loves to put his characters through the ringer and the protagonist here is no exception. Pulp has been his focus for a decade now and Velvet is his version of the pulpy British post-war spy novel. It reminds me of Tinker Tailor, decidedly “in genre” while also pressing the weakness or failure of the conventions as well. Velvet is the answer to the portrayal of female characters in those well-known yarns, the logical culmination of what a badass any woman long-suffering enough to deal with the insipid man-children of the fictional spy-world would be. Epting has the most precise penciling of anyone in the business. Everything is in its right place and therefore the reader is also. One of my favorite books of the decade, not just the year. I wish it came out more often.

1. Lazarus: How does it keep getting better? Rucka has crafted a world, taken us through its social and political intrigue, and, now, taken us to war. Lazarus is my favorite piece of sci-fi in thirty years. If this book was a traditional novel, it would be on the NYT best-seller list. I’ve shouted from the rooftops about this book for long enough that I suspect most of my readers and friends have already picked it up, so I won’t repeat the hook, but suffice it to say that this book has it all. The world is compelling and full. The characters are wide-ranging, complete, and gripping. The action is tasteful but hard-hitting. I love that Rucka doesn’t make his universe an unknowable mystery, but also goes to no great lengths to hold our hands in making sense of it either. It’s such a balanced handling by an enormously patient story-teller. I love the current arc, following on the heels of the masterpiece Conclave storyline by taking even more risks and showing that this book doesn’t just have gas left in the tank, but is intending to dominate the industry for as long as it’s being published. Long live Lazarus!

Honorable mention:
It’s a weird year where so many great series premiered super late in the annual cycle and therefore don’t quite have enough material to consider, but have shown signs of really great material. Image, in particular, cranked out four titles that could be among the very best books out there. My favorite of this bunch is I Hate Fairyland!, which I’ll bet now will make this list next year.

Star Wars: Lando: I know it strains credulity to imagine that there are two different Star Wars books I’d consider to be among the top comics being published, but the wealth of talent that Marvel/Disney has dedicated to the publishing side of Star Wars really makes you wonder what Dark Horse, a company not known for bad publishing decisions, was doing with these properties for the last 20 years. At any rate, Lando is Charles Soule, one of the bright spots of Marvel’s rough year, writing over Alex Maleev’s genius level art. That’s a team that would turn heads on any title. It’s an interesting story about the dirty underground of the Star Wars universe and includes some Jedi lore for the deeper fans. If this wasn’t a mini-series, I’d have included it. Comic fans and Star Wars geeks alike should really like this book.

I Hate Fairyland!: Could be my favorite book being published right now. Skottie Young is brilliant. I buy everything Skottie Young does. This is his best book ever. The story concept is brilliant: Gert stumbles into Fairyland as a child, fails at her quest to escape, and lives there for 20 years without aging physically, but is driven to become an maladjusted psychopath. It’s gorgeous and hilarious. I can’t think of anyone that wouldn’t be entertained by this book. If it was farther along, I’d have included it as one of the top 5 at least.
Paper Girls: Looks like it could be my favorite Brian K. Vaughn book since Runaways. Only three issues in, this book is something really special and there’s nothing else on the shelves like it. I can see Saga fans coming after me with pitchforks, but this book has everything Saga does without the sort of pandering sense of over-the-top graphicness that I think weighs Saga down. Basically a Spielberg tribute, Papergirls follows a group of girls who find themselves in the heart of a mystery while on their delivery routes in the 1980’s. Fans of 80’s movies like Stand By Me and anyone looking for a fantasy book without capes and cowls should really love this one.

The Goddamned: Jason Aaron and R.M. Guera. I don’t know that I should have to say much more than that the team behind Scalped is producing new work. The Goddamned is an ultra-violent take on early biblical history. Taking place sometime shortly after the fall from Eden, the book follows Cain through the brutally violent world new to sin. It’s Conan with the gloves off and it’s gory, gross, and glorious. Only two issues in, I already enjoy this book more than Southern Bastards, a critical tour de force. I think the Goddamned is set to be something special.


Black Magick: Truthfully, I am waiting to read Black Magick, Rucka’s new creator owned book for Image, but I expect it to be, well, magical. Rucka is for sure one of the top talents in comics right now, publishing the very best comic book on the Shelves for two consecutive years. That alone has my attention and probably should yours. Try to find the magazine sized version of issue number one (he also released a magazine-sized one-shot of Criminal this year that’s one of the year’s best single issues.