Showing posts with label MCU. Show all posts
Showing posts with label MCU. Show all posts

Friday, January 1, 2021

Best Comics of 2020

Caveat: most DC’s magazine-sized black label books, some of which are obvious contenders here, are not included. Sorry for that but I’m still behind on them. I read a lot of comics. 

1. Gideon Falls - Jeff Lemire & Andrea Sorrentino continue to create one of the finest comics ever written. This is a genre transcending peek into the future of comics. Lemire has established himself as one of the great comic writers of all time and Sorrentino is putting on a clinic on what can be done with a page. This book is two of the greatest comic book creators working today teaming up to provide you with the shape of things to come in comics. I read the finale last week and can say it definitely sticks the landing. Looking forward to going back over the whole of it soon. 

2. Slaughterhouse Five - I was skeptical of an adaptation of my favorite fiction novel for the normal reasons but I trusted Ryan North and his collaborator Albert Monteys due to North’s excellent work on Squirrel Girl, one of the most surprising success stories in mainstream comics of the new millennium. I was not disappointed. Part adaptation, part exploration of Vonnegut’s process and inspiration, it was as much a tribute as a recreation and it was brilliant. Fans of comics can appreciate the stylistic choices made in adapting a classic and fans of Vonnegut will love the degree to which these guys get it. 

3. Pulp - Brubaker and Phillips never stop turning out brilliant works of art and Pulp is no exception to their impressive resume (for my money, the best collaboration across multiple books in modern comics history). Pulp both is and is not what you think it is based on the cover. Read it and, if you haven’t already, get every book these two have worked on. They’re always on their game. I also really enjoyed their most recent novel, Reckless, and am looking forward to the upcoming volumes in 2021.

4. Thor - Jason Aaron’s character redefining work on Thor was always going to be a tough act to follow, but no one ever made money off of underestimating Donny Cates. His first arc with Nic Klein sold out immediately and for good reason: it was badass. Playing into elements of both the Aaron run and Cates other work on various Marvel titles, a newly King Thor has to face an unheard of universal threat. I suspect we haven’t heard the last of the Black Winter. Coming up next is Don Blake, Thor’s former alter ego, in a mind bender of a villain introduction no one saw coming. I love this book. 

5. Hellblazer - One of the worst cancellations in modern mainstream comics history. No one will ever make sense of this to me. So Spurrier, Eddie Campbell, Matias Bergara, and others contributed to what is probably my favorite Constantine tale of all time. Constantine vs. Constantine for the soul of a wizard. It’s actually better than it sounds and it sounds awesome. Two of my five favorite individual books of the year were in this title. I’ll be going back to this one over the holidays for sure. 

6. Marauders - Gerry Duggan has in recent years really jumped toward the top of my list of writers and for good reason: he does a lot of things well and writes the best dialogue in the business today. No one could better portray the characters at the heart of the palace intrigue that is this book better than he does. Stefano Casseli and Matteo Lolli turn in deeply expressive and energetic art for every issue of this book. Being the best X-men book on the shelves in 2020 is a real accomplishment. 

7. Something is Killing the Children - James Tynion IV and Werther Dell’Edera weave a supernatural horror story with creativity, heart, and intrigue the likes of which comics have rarely seen. This book builds off of our fascination with Stranger Things type products without aping their mojo by featuring strange monsters and an even stranger protagonist with a truly creepy conspiracy theory behind the scenes. If you want to know why everyone is talking about Tynion IV today, this book is as responsible as Batman is for sure. 

8. Wonder Woman - Mariko Tamaki deserves more respect than she receives. Bottom line. I’ve overwhelmingly enjoyed her books across the board. Wonder Woman with Mikal Janin was no exception. The book is a team up with Max Lord that goes awry for obvious reasons. Tamaki has this uncanny ability to write minimalist but poignant dialogue at once and it’s very impressive. The result is a book with a kinetic pace but great character pieces all at once. Complemented by Janin’s clean lines and pinpoint precision art, this is a gorgeous book that tells my favorite Wonder Woman story since her animated standalone film. 

9. X-Men - Hickman, Yu, and Asrar continued the reset of the X-men through a series of squabbles with various aliens and into the X of Swords event in Otherworld at the behest of Saturnyne. The event was pretty long (my only complaint) but the volumes in the X-men title were favorites, especially the last X-men X of Swords crossover that has Scott and Jean defy the Krakoan council to stand up for their son, the recently de-aged Cable and all of the X-men in Otherworld. Perhaps my favorite writing ever for Scott and my favorite issue of the X-men since Morrison. 

10. Doctor Doom - It's no secret that I love the work of Chris Cantwell. I've been a big proponent of Halt & Catch Fire (which Cantwell was the showrunner for) and his more recent work on Iron Man (too new for consideration for 2020, but a runner going into 2021). Doctor Doom has a nominal narrative involving Kang and some political intrigue in Latveria, but the idea is mostly a character study in what turns an ethos into villainy and it's exceptionally well done. If you're looking for kinetic action, this is not your book. If you're looking for spot on characterization and top-tier dialogue, this is the one. Sal Larocca has become one of my favorite comic artists since his work with Gillen on Vader and his work here continues the evolution of Larocca's style. 

11. Hulk - Al Ewing and Joe Bennett are telling the most interesting Hulk story in decades, a psychological thriller with supernatural elements that turn everything you know about the Hulk and his cast on its head. Accompanied by the genius covers of Alex Ross, this book never ceases to impress. It’s a very different Hulk book but still involves a lot of smashing so I think it has something for everyone. 


Friday, July 20, 2018

SDCC Day 2 Round Up: Miracleman, Joker, Drowned Earth, & Cates on Marvel Knights

The return of the Go-Bots! Glass covers at Valiant! And the real news...

Neil Gaiman and Mark Buckingham will return to Miracleman to complete their Silver Age arc for Marvel after legal issues tied up the book’s planned 2017 release. While the reprints were big news in 2014, new content for this legendary series featuring some of comics’ towering talents should get people excited. The original Miracleman written by Alan Moore and then Gaiman was scarce at the time, out of print for decades, and often revered as one of the finest comics ever made with graphic novel collections demanding prices upwards of $300. 

Scott Snyder and Jock will collaborate on a The Batman Who Laughs mini series extending the life of the fan favorite character introduced in Snyder’s Dark Knights: Metal series in 2017. The series will also introduce a heavily armed Batman who appears to not share the earth-616 version’s aversion to firearms. This is part 5 of DC’s effort to release a Batman and Joker series every day for one year (jk, but it does seem that way). Breaking news: just announced the second arc of Snyder’s Justice League will team him with Flash writer Francis Manapaul as the artist in Drowned Earth, an Aquaman-centric storyline that will lead into DeConnick’s Aquaman ongoing later this Fall. 

Donny Cates is extending his Marvel exclusive contract & has announced that his new project is a Marvel Knights relaunch w Mike Deodato (on its 20th anniversary) featuring Daredevil, Punisher, Blade, and Black Panther. Cates is showrunning the line of new titles by Tini Howard, Matthew Rosenberg, and Vita Ayala, but writing a bookend volume to kick it off. No word on his ongoing involvement in writing duties on any of the books. The original Marvel Knights imprint rebooted Daredevil, Black Panther, & Punisher, updating them to a grim, more realistic street-level version of the Marvel U. Other Marvel Knights titles featured work by Grant Morrison on Fantastic Four & Greg Rucka on Black Widow. Joe Quezada and Jimmy Palmiotti oversaw the imprint and chaired the panel today for Marvel. 

New Star Wars books from Marvel Age of Republic by Jodi Houser, Age of Rebellion by Greg Pak, and Age of Resistance by Tom Taylor are linked together in a maxi-series format. The Houser book sports a Darth Maul cover, perhaps focusing on the Clone Wars era exploits of the popular Sith. The other series will explore points throughout the Star Wars timeline. IDW is also releasing Tales from Vader’s Castle under the Star Wars Adventures imprint and are written by Cavan Scott w art by Derek Charm. 

Joss Whedon, fan favorite creator of Buffy, Angel, Firefly, and Astonishing X-Men, announces they’ll be extending their Dr. Horrible from the web series Dr. Horrible’s Sing-Along (with Neil Patrick Harris, Nathan Fillion, and Felicia Day, my favorite person in the world & personal hero) with a new comic book series. Whedon also recently announced he’ll have a new series premiering on HBO after an apparent bidding war between the studio & Netflix. The new book will be titled Dr. Horrible, Best Friends Forever. 

Iron Fist 2 has a surprisingly positive panel appearance given the resounding thud with which the character has premiered in the Marvel Netflix U. The panel unveiled the S2 villain, Alice Eve playing Typhoid Mary, a pyromorph with multiple personalities drawn from the pages of 1990’s Daredevil. Eve described her as consistent with the character from the comics and extremely violent. Footage also showed Fist in his traditional yellow mask and the panelists discussed that the series will have a more Heroes for Hire-feel to it, playing off of Danny Rand’s and Luke Cage’s friendship/bromance. If Marvel can rehabilitate this title, that would be big for the Netflix properties which have languished a bit after a strong start. Defenders, Iron Fist, and Jessica Jones S2 are widely regarded as the three worst shows in the Netflix U, all releasing in the last 2 years. 

DC Animated announced S3 of Young Justice titled Young Justice: The Outsiders. The Outsiders, longtime DC fans will remember, are a group formed by Batman to operate in tough situations that traditional heroes can’t handle. The group in the comics was actually led by Batman for years before he turned leadership over to Black Lightning and Metamorpho. Young Justice is a solid animated series and S3’s announcement was highly anticipated by fans. 

James Gunn was fired from the MCU due to internet outrage by Pizzagate promoter Mike Cernovich concerning old tweets, ending his work of Guardians of the Galaxy 3 and causing Sony to cancel their secret announcement of a new project he had in the works for their studio. Gunn had already issued several apologies for the tweets & released another statement of regret in Friday. Marvel Studios released a brief statement as well. 

Marvel hosted a Marvel Rising cast meeting Thursday night featuring the actor playing Patriot and the actresses voicing Squirrel Girl, Ms. Marvel, Quake & Ghost Spider (formerly Spider-Gwen). In addition to Jess characters, the cartoon will feature America Chavez, Captain Marvel, and Lockjaw, the Inhumans’ teleporting dog. Internet Nazis have been in a tizzy over the show featuring only one white male character but no one cares at all what they think.



DC Films’ new Joker origin film with Joaquin Phoenix has released a few details including the alter ego of this version of the Joker, Arthur Fleck. Fleck is rumored to have some ties to the Wayne family to play up the drama between Joker & Batman’s alter ego, Bruce Wayne. Zazie Beetz (Deadpool 2’s Domino) is said to be portraying a new character not drawn from comics. Rumors also concern Robert De Niro’s interest in being attached to the project. 

In other DC Films’ news, Shazam costumes were on display, including a tiger patched backpack & the classic red leotard with a cape pinned to it by golden buttons. Nothing else at this time, although I’d expect a trailer for both this & Aquaman by Saturday night. 

Dave Micheline (co-creator of Venom) will be working on the Venom annual w writers Donny Cates and Jeff Loveness. 

Andrew Lincoln (Rick) is officially off of The Walking Dead, which is not really news bc it was so heavily telegraphed by the show & Lincoln. 

Jodie Whittaker, the 13th Doctor Who, has made a huge splash at SDCC 2018. Everyone loves her except internet Nazis (who we’ve already established no one cares about) & she made her debut at SDCC showing up at a fashion show in the show’s honor and style, in disguise until she hit the end of the runway & tossed off her hood to reveal the new Dr. Who costume which Whittaker described as neither for men or women, but for anyone, just like the show. 

Better Call Saul was at SDCC 2018 w a lot of the staff from Breaking Bad (including Walter White himself, Bryan Cranston) for their S3 launch in a month (8/6) and the 10-year anniversary of BB’s premier. 

Updates:

Jeff Lemire announced two projects: a completed script for the pilot of Essex County, his project for Top Shelf that launched his mainstream career, & an upcoming 12-issue Black Hammer series w Jose Villarrubia. The Essex County option is held by Canada’s CBC network & according to Lemire a decision on the six-episode series will be made shortly. No release info is ready for the new Black Hammer project. 

Player Unknown Battlegrounds is going mobile. That’s all I know about that. 

Venom footage from SDCC shows him fighting a silver version of the symbiote believed to be Riz Ahmed. Venom apparently bites a dude’s head off and says “yeah”. This should be a part of a Justice League movie (or at least Aquaman).  

Cloak and Dagger has been renewed for a 2nd season on Freeform. 

There are lady Predators. That’s all you need to know about that. 

Frances McDormand will be the voice of God in the film adaptation of Neil Gaiman’s Good Omens. She’s amazing so that’s also great. 

We’ll have more news as stories develop throughout the night and weekend. 




Monday, April 30, 2018

Infinity War: Reaction, Review, & Analysis


I just left the theater, but I have a lot of thoughts about Infinity War. First, the movie is fantastic. It exceeded my expectations in every war, including plot, execution, character development, and conclusion. I was becoming increasingly concerned about the scope of the film and this difficulty that would present in explaining what characters were up to and why. After watching, I no longer have any of those concerns. Second, this movie is not for casual fans. I suspect some will be left wondering who some characters are and why they’re doing what they do. Marvel did not seem to care, which is awesome. Thanks for having the biggest payoffs for the biggest fans. It’s something Warner never does with their movies and it’s appreciated by the faithful. Finally, the movie is long, but not too long. The action is well-paced, heavy, and fun. I never felt like the story became plodding or trite (like I and others have complained about with some of the Netflix products) in spite of the length. It was wholly appropriate in my opinion to make this film over two hours. The grand scale renders it necessary.

Where does it rank in relation to the best Marvel products? Very highly. Probably only as low as the top three, maybe as high as number one. It is as funny as GotG Vol. 1, as twisting as Winter Soldier, and nearly as heartwarming as Homecoming with superior action to all three. The universe spanning plot has very few broken portions (I will discuss some concerns) and so many things going right that it’s an immediate contender for the best Marvel film.

Is it better than Batman TDK? No. End of story. We may never see a comic book movie like that ever again, or at least not until the current generation of Warner/DC films execs retires. Is it Marvel’s TDK? Sort of. Thanos is the same type of compelling villain as Ledger’s Joker, even if not as compelling. He’s the first villain in the same category as the Joker that Marvel has produced. It took them 826357635 movies. That said, DC films are trash, except those first two Batman movies, and, yes, I’m including Wonder Woman (sorry, but I’m not sorry). The future of Marvel films is bright and the future of DC films is questionable at best (and potentially an unmitigated disaster and my personal opinion leans this direction).

Good or bad news first? Bad news? Ok, here it goes…a definitive list about things that were not good in Infinity War:

Vision & Scarlet Witch: I loved Paul Bettany in Avengers 2. He looked great. His acting was compelling. Vision seemed to be a character on the up and up. He’s given us solid performances up to this point. Elizabeth Olsen has been less exciting of a character both because of the MCU nerfing of Scarlet Witch’s powers and because of her association with Quicksilver (who sucked) and disassociation with Magneto (who Marvel didn’t own the film rights to when she was introduced). As a result, the romance of Vizh and Wanda has basically no spark, the performances are not particularly compelling, and their sort of at the heart of the personal drama for the climax of the film. It’s just not working. The two don’t work well on screen together, no one is feeling it, and neither of the heroes is developing anything on their own to compensate. Olsen does awesomely drop some thresher spaceships on a bunch of space dogs, but that’s basically the only decent moment either has in the whole 2+ hour long movie and one of them has an infinity stone in his face. Sad!

Dinklage: Burning Tyrion on some weird dwarf (who is, ironically, super tall) with voice immodulation disorder was a waste. Unlike some others, I enjoyed Nidavellir, especially the interaction between Thor and Rabbit (Rocket, constantly referred to as Rabbit by Thor). Loved the scene where Groot improvises the handle to Stormbreaker. And showing Thor taking a star to the chest is a pretty good power-level demo. But Dinklage is an A-list actor stuffed into a D- performance (maybe, the worst of the film) burdened by poorly written dialogue, poorly envisioned vocal work, and generally looking like a bassist for a space metal band.  

The Soul Stone: Thanos doesn’t love anyone or anything except the gauntlet. He’d never get the stone by tossing Gamora into the pit of doom because he doesn’t love her. She was right, the writers were wrong, end of story. If this was the Marvel Universe, not the MCU, he could have sacrificed Death, but that’s the only thing the Mad Titan loves other than genocide. His acolytes are tools for his ego, not people he cares about for their intrinsic worth. I don’t buy the tears, I believe her, and nothing will change my mind about this. Perhaps we haven’t seen the last of Gamora’s story arc given the weird red room Thanos enters before wiping everyone. Maybe we’ll get a second try on the soul stone later. To me, this is the single plot hole I can’t reconcile myself to. It’s relatively minor, I’m a stickler and I know it, so I can let it go and enjoy the rest for what it is.

The good news

There’s so much. This is going to take a while…

Empire: Thanos Wins! He wipes out half the life in the universe. It’s awesome. Just when you think the heroes have done it in the nick of time, he turns back the clock, wipes out Vision, then Thor kills him, but he doesn’t, and Thanos kills everyone. It’s awesome. It’s the MCU’s Empire Strikes Back. It’s the first time the villains didn’t drop the ball on the goal line. I can only imagine how ten-year-old me would be reacting right now. Jaw agape for 13 months until I get some friggin’ answers. The silence at the end of the film is deafening, both on the screen and in the audience. I can still hardly believe they did it. Making no excuses for Thanos’s power and never letting the heroes off the hook with McGuffins and freak power ups makes this movie the most unpredictable, unforgiving, and consequential MCU product to date. Empire is a once-in-a-generation movie. Infinity War may just be that same class.

Sense of Humor: The jokes are great, and, genuinely, getting better. Guardians has set the tone for this phase of the MCU and it has positively affected all of their properties and was executed here to a tee. The banter between Stark and Strange, between Parker and everyone, between Thor and the Guardians, especially Rocket, and between all the Guardians and anyone else is wonderful. It feels like a Marvel comic book and that’s a very good thing. Parker’s “Oh, we’re using our made-up names…” and Drax’s deadpan “turning invisible” bit were both fantastic. Batista has become a very strong comedic actor and Tom Holland is the future, period. He steals every scene he’s in. This movie is fun in spite of the universe-wide genocidal backdrop.

Action: The movie starts with a royal rumble Thor and the Hulk, the Avengers two biggest brutes, taking on (and getting their asses hand to them by) Thanos in the first five minutes. That’s really something. It sets the tone that this movie is not holding your hand. The film will show you what’s happening and you’ll figure the rest out on your own. They don’t do a quick introduction of the Black Order, or even refer to them as such, they just start doing nasty stuff and you figure out their Thanos’s bros, and that’s that. Everyone gets into the action, including some characters we’ve not seen do much before (like Mantis) and some others we’ve never seen do what their doing (like Tony’s even more Extremis-inspired nanotech armor and the Iron Spider version of Spider-Man). The Battle for Wakanda is epic and glorious. Wakanda Forever!

Huge Moments: The big three of the Avengers all have epic moments in the film. Thor has the most for sure, given that he takes a star in the face, he spins the rings that power a dying star with his legs, and then he bifrosts his ass to Wakanda just in time to drop Stormbreaker all over the space dogs murdering his friends. Thor’s a god. It’s only fair he has the most badass things happen to him. Tony has a lot of great moments, including dropping the ship on Thanos, the one-on-one faceoff with the titan, and his heart-wrenching embrace with a dying Spider-Man. He’s the beating heart of the Avengers, even if he’s not it’s heaviest hitter. Cap’s profiled introduction in the first attempt to de-stone Vision got a great pop from the crowd, his foot race with Black Panther is great, and his test of strength with Thanos, even in failure, reminds the audience just who Steve Rogers is, the bravest Avenger of all. For me, watching Thor light up on the field in Wakanda was, no pun intended, the most electric moment of the film.

Big Surprises: Two things stand out the most: Red Skull is alive and looking over the Soul Stone and Fury dialing up Captain Marvel in the post-credits. I’m pretty sure I audibly gasped when Skull walks out from the darkness in his introduction. That’s just rad. Skull is too important a Marvel villain to trash out in a Captain America movie that wasn’t ready for a villain of his grandeur. It is a promising prelude to his reintroduction into the MCU at some point in the future and all the Hydra (and Zemo, and Strucker, and the list goes on) glory he entails. I was blind-sided, and I’m not often surprised by anything in a comic book film. The post-credits scene was subtle and not exactly a shocker, but it was a well-executed segue into the upcoming Captain Marvel (Carol Danvers version) film debuting around a month before Avengers 4.

Analysis

What’s next? What’s the resolution? Theories and thoughts…
So, did Thanos just kill everyone? Let’s recap: Winter Soldier, Groot, Black Panther, Falcon, Scarlet Witch, Star-Lord, Mantis, Drax, Spider-Man, Dr. Strange, Maria Hill, and Nick Fury have all been willed out of existence by the Infinity Gauntlet. Or so it seems. They similarly disappear off the face of the planet by appearing to turn to ash and then just fading away. Some things to keep in mind about the gems: we’ve never seen a stone directly kill someone. When it affected Drax and Mantis earlier on Knowhere, they just go back to normal later. The gruesome things it does to them should kill them, but they don’t. So that’s weird. The soul gem is a mystery. They say so directly in the film (“no one really knows how it works”) and it doesn’t have a direct analog to an obvious material power like the others (power is like energy manipulation, time, space, and reality all manipulate those dimensions, and the mind gem allows for powerful telepathic powers – not that Thanos ever uses those, that we know of). Is it possible that the stones can’t kill anyone and that the people Thanos “wiped out” were really just blinked into the soul gem (which, in the Marvel Universe, has a soul realm where many, including recently Gamora and historically Adam Warlock, the dude most likely in that egg at the end of GotG Vol. 2, folks have lived). IMO this is one of the most plausible resolutions of the story: half of the world is trapped in the soul gem, a weird parallel reality, and the other half has to bring them back.

The other best explanation I’ve got is that Dr. Strange already knows how the heroes win and he’s manipulating events to ensure that the heroes accomplish the moon shoot 1: 15,000,000 chance he’s seen in his trips through time. To do so, he knew he had to let Thanos win so he’d lower his guard and wouldn’t kill Tony, who is essential in some way to the ultimate victory over the Mad Titan. It’s plausible some sort of time/dimensional travel is necessary to do so and Dr. Strange has left the heroes clues through time on how to do it. Captain Marvel’s film takes place in the 1980’s and it’s feasible that Strange passed on some critical info to her in the past that could impact the ability of the Ultimate Alliance to win in the end. Time or interdimensional travel could also kickstart some changes in heroes’ identities necessary for addressing the impending retirements of some actors in key roles in the MCU, and help introduce both the Fantastic Four and the mutants once the deal with Fox is finalized, most likely in the 2020-2021 film seasons with teasers starting as early as next year.
Hawkeye and Ant-Man? As noted by Natasha, they’re on house arrest for the events of Civil War, but, really, they didn’t even show up at all when space aliens landed in Greenwich and Wakanda? Fury didn’t get them involved? Cap, the greatest strategic mind in the MCU, doesn’t drop them a line on the way to Wakanda? I have a strange feeling there’s a role yet to be played by these two and that they’re being held on deck for a reason. I understand that shoots-arrows-guy and size-manipulation-guy may not seem like a huge deal, but Hawkeye is a proven leader with not only incredibly accurate marksmanship but also great strategic sense and tactical execution. His usefulness in a global conflagration of this size is without a doubt, even if he isn’t singularly decisive. Ant-Man is more useful here for being small than being big for sure. His stealth could allow him to get under an infinity stone and break up the gauntlet’s monopoly without Thanos detecting him. He could be a real difference maker. Along with Wasp, they’d make for a formidable one-two punch between the ears as well.

Loki will come back, but not the Tom Hiddleston Loki. Asgardian gods don’t tend to stay dead for long, but they come back in new forms, sometimes de-aged, sometimes non-human, sometimes gender-swapped. I’d bet on a young Loki going forward, but perhaps alongside Hemsworth continuing as Thor. I see no reason he couldn’t go on for a couple of more films as the Odinson.
One final theory: everyone that looks like they’re dead is alive and everyone that looks alive is dead. Being stuck in the “real” reality is the hell-on-earth and Thanos’s picturesque reality created by the stones is the one where all the reality-bent heroes went to. Maybe no one is dead and Thanos just broke off a new universe. It is odd that all of the newest MCU characters are the ones that faded, and all of the impending retirees are still up and going at the end of Infinity War. It’s not what you expect so maybe it’s not what you think either. I wouldn’t be shocked if the swerve is that only the faded heroes live somehow. It makes the most sense for the ongoing MCU if they do so. I must admit that the sequels to GotG, Spider-Man, and Black Panther all seem odd going forward without their stars and all have been confirmed by Disney/Marvel.

Concluding thoughts
This is probably enough for now. I loved the movie. It’s a special ending to the first generation of Marvel heroes. I hope folks enjoy it the same way I did, on the edge of my seat for 2+ hours. I’ll be looking forward to Ant-Man & Wasp, Captain Marvel, and Avengers 4 over the next 13 months. And, of course, to the upcoming books from Marvel and DC on Free Comic Book Day this Saturday. Until then, Make Mine Marvel.